
David Bowie is good as the Goblin King and all the puppeted characters are fantastically brought to life in there movements and voicing as you would expect from a Henson film. There is some good humour and of course the odd piece of very childish low brow humour but that is to be expected. I do really like this film, the look, the cheesy feel good 80's music, the characters, it is all great. What I really love about the film is, that before the days of CGI, inside the Goblin world, which accounts for 90% of the film, everything is 100% set work, there must be well over a hundred sets and they are all imaginative an create the enchanting atmosphere of the film, these sets combined with some fantastic matte paintings from ILM that give even more of a scale to the film. The film itself is much like the Wizard of Oz in terms of story (intentional maybe as it could represent something that Sarah finds special and perhaps inspirational). Certainly on a visual and script basis there are some clever touches when you consider this is a kids film. What is also interesting is Sarah being a young girl at the start of puberty has a certain fascination and perhaps crush on the Goblin King, perhaps a combination of the character from the book and the likeness of which she has created this character in her head. The man in the photo probably a figure of blame for the loss (however large) of Sarah's mother. There is also a clipping of Sarah's mother, who we do not know whether she is still alive, but in any case is not around, but she is with a man who is the likeness of the Goblin King. Look around her room and you see the characters everywhere, Hoggle, Ludo even a little replica of a maze. At the start of the film when we are first in her room there is clever use of visual hints that you wouldn't pick up on until watching a film the second time. The opening of the film sees Sarah reciting from a book to herself, she is addressing the Goblin king and the characters of this book and her room are the cast of a play inside her mind, they are special to her and meaningful, in a way we might have a favourite song that speaks to us in some way. She says for instance at the close that every now and again she needs Hoggle and company. What is fantastic about the way the film opens and closes as that it really hints to the fact that Sarah has been through the same dream before, and that she needs these imaginative friends, and dreams to help her see the light as it were.

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I have in the past and realised the full implication in a bad dream, a dream is the most effective doorway to imagine something outside of it really happening. How many times have you said something, that every teen must have to their parents, for instance `I wish you were dead', very cruel but it is said. Sometimes we don't realise things we have said or done until we dream. Henson is in a way telling not just kids, but also adults, that our subconscious, which includes our dreams and imaginative side (in terms of taking yourself to another place, more than imagination in creating something like a piece of music for instance.) can be as affective a guide to where and when your live is going wrong as your conscious. There is depth to the script, and clear attitudes and values that Jim Henson conveys. There is certainly intelligence to this film if analysed deeply. Labyrinth is about Sarah keeping her imagination alive, her fantasies and dreams, and these help her figure out what she is doing wrong, it helps her realise how her attitude is wrong and causes her to be depressed. She does not want to, her room full of inanimate companions, dreams and fantasies, she feels are slipping away. She acts like a child in her self importance and possessiveness but she is perhaps starting to grow out of her young imagination. The film also has values and attitudes about growing up, the central character Sarah is in the awkward stage between child and womanhood, the stage of adolescence.

These lessons not only relate to the major target audience of young children but also teenagers and adults alike. As with many films aimed at younger audiences there are messages that the writers, in this case Henson himself, have tried to convey, such as `be careful what you wish for (as in the heat of the moment we are not always sure what is best for us) and also about not taking things for granted. There really is a magic about the film and that has helped it last as a firm family favourite all these years. This is a classic fantasy film from Jim Henson, in collaboration with George Lucas. Reviewed by supertom-3 10 /10 Fantastic, magical movie!!
